Adam to Windsor: Different Perspectives, Part Three by Cheryl Kevish - Cheryl Kevish creates a map to guide Depression glass collectors in identifying how patterns fit in to the time line of the eras production. Included is a chart covering years 1935 to 1940 for manufacturers Federal, Hazel-Atlas, Hocking (Anchor-Hocking after 1937), Indiana, Jeannette, Macbeth-Evans, and U.S. Glass. Pieces are depicted in a color photo and two B&W photos.

Those Confusing Woodland Scenes by William P. Walker - Walker examines six depression era woodland scenic patterns from the 1930s. Lotus Glass Company produced two of the styles - Call of the Wild and Sylvania. Others are attributed to Paden City Glass (Black Forest, Elk Forest), U.S. Glass (Deerwood etching), Central Glass and others. 4 B&W photos and 2 color photos.

Thomas Webb & Sons: Queen's Burmese Ware by Roger Winzeler - A dozen color pictures with accompanying descriptions depict the various shapes and decor of Queens Burmese Ware.

Six Glass Artists at the Smithsonian Craft Show by D. Thomas O'Connor - The works of Stephan J. Cox, Kurt Swanson, Lisa Schwartz, Peter Houk, Robin Mix, Charles (Chuck) Savoie, and Kenny Walton are presented.

Glass and Metal: A Victorian Tradition by Wally Bruenger and Mike Ayers - Eleven color pictures display numerous items including Mt Washington Creased Neck Owls, English Blue Owls, a Hobbs fruit bowl, and two Northwood pieces.

What's the Difference? A Look at the British Glass Market by Johanna S. Billings and What's the Difference? An English Perspective by David M. Issitt - These complimentary articles convey perceptions from each side of the pond (The Atlantic) of the opposite sides glass market.